【中国文化 影响世界】——国际书画名家陈岳专访

“新时代要有新作为。站在新时代中国国际传播事业的新起点和最前沿，不忘初心，牢记使命，不断开拓对外宣传工作新局面，努力谱写新时代中国故事的壮美篇章，为提升中华文化国际影响力续写新的辉煌。”——习近平总书记语

为进一步扩大中国品牌文化在世界上的影响力，更大限度地实现艺术品的社会与经济价值，特别推选德艺双馨艺术家陈岳老师携新作品作为中国文化品牌领军人物登上国际舞台，引领新时代、新风尚！

"We need to do something new in the new era. Standing at the new starting point and the forefront of China's international communication in the new era, we should not forget our original intention, keep in mind our mission, continue to open up a new situation for foreign publicity, strive to write a magnificent chapter of China's story in the new era, and continue to write a new brilliance for improving the international influence of Chinese culture. " Xi Jinping language

In order to further expand the influence of Chinese brand culture in the world and realize the social and economic value of artworks to a greater extent, Mr. Chen Yue, an artist of both virtue and art, is specially selected to take the new works as the leading figure of Chinese cultural brand on the international stage and lead the new era and fashion!

陈岳，字绿湖，号岭南醉客、绿湖居士，广东省龙川县人。中国书法名家、实力派书画家、九鼎艺术家、中国国际艺术协会顾问，被选入国家人才库。被中国国际现代艺术研究中心评为“金奖艺术家”、并荣获“当代书法艺术名家”称号，同时为中国国际现代艺术研究中心高级研究员，英国牛津艺术学院研究生导师。2018和2019连续两年在两会期间入编“人民代表报”，为两会代言献礼。2019年，陈岳老师的作品被选为“建国70周年大阅兵”国礼珍品（全国限量，仅100套），并入选大阅兵特刊，授予荣誉勋章。

Chen Yue, green lake, Lingnan drunk guest, green lake resident, Longchuan County, Guangdong Province. Famous Chinese calligrapher, powerful calligrapher, Jiuding artist and consultant of China International Art Association were selected into the national talent pool. He was awarded the title of "Gold Award artist" by China International Modern Art Research Center and "famous contemporary calligrapher". At the same time, he is a senior researcher of China International Modern Art Research Center and a Postgraduate Tutor of Oxford art college, UK. In 2018 and 2019, they were included in the "people's representative newspaper" during the two sessions for two consecutive years, and gave speeches for the two sessions. In 2019, Mr. Chen Yue's works were selected as the national treasure of "the 70th anniversary of the founding of the people's Republic of China Military Parade" (only 100 sets are limited nationwide), and were selected into the special issue of the military parade and awarded the medal of honor.

国礼珍品（玉石）

博涉诸体修碑帖 笔墨心诀谙品格——记著名书法家陈岳

孙过庭写书谱，有感于自己十五岁学书，已是稍晚的遗憾。当代著名书法家陈岳先生则没有这种遗憾，因为他八岁开始习书法，天赋灵通，早悟碑帖，虽家境贫寒，却能苦修寒暑，历经数十个春秋的心追手临，成为翰墨碑帖的知心人，也是法传魏晋风韵，修为唐法盛典，功建宋人尚意的大手笔！

他的书法用笔，有恣意纵飞的痛快淋漓，千钧之力，挽于笔管，执笔如仗剑，势如走天涯，富有极度的视觉张力。这种书法视觉张力的来源，非常可贵，也相当难得，因为这里面需要对碑学有精致入深的磨砺感悟。他的书法从描红魏碑开始，龙门二十品，逐一揣摩，无一而失，心追手临，终得劲观！他把魏碑的奇、异、气、势、动、形一点一滴地融合成自己的翰墨情怀，不但深谙魏碑十美的塑造法度，也情倾碑学为书法龙脉的千古流传，所以执笔既如执铁，铁锥划沙写筋骨，就是气度，也是风格！书法依这种风格而纵横纸面，必然是凌空杀纸，秋鹰逐兔的痛快！

Writing inscriptions, calligraphy, heart code and character -- On Chen Yue, a famous calligrapher

Sun Guoting wrote the book manual and felt that he had learned the book at the age of 15, which was a later regret. Mr. Chen Yue, a famous calligrapher of the present age, has no such regret, because he began to learn calligraphy at the age of eight. He was gifted with talent and early realized the inscription. Although his family was poor, he was able to work hard in the cold and summer. After dozens of spring and Autumn period, he became a confidant of calligraphy inscription. He was also a great writer who passed on the charm of Wei and Jin Dynasties, cultivated himself into a grand ceremony of Tang Dynasty and built up the style of Song Dynasty!

His calligraphy brush is full of pleasure and power. It is held in the pen tube. It is as strong as a sword. It is as powerful as walking around the world. It is full of extreme visual tension. The source of this visual tension of calligraphy is very valuable and also very rare, because it requires a refined and deep understanding of stelology. His calligraphy starts from the depiction of the red Wei stele, the twenty dragon's gate products, one by one, all of which are lost, heart chasing hand approaching, and finally gain strength! He integrates the wonders, differences, Qi, potential, movement and shape of the Wei stele into his calligraphy feelings. He not only understands the ten beauty shaping methods of the Wei stele, but also devotes himself to the stele learning as the eternal spread of the dragon vein of calligraphy. Therefore, writing is not only like holding iron, iron cone, sand, muscle and bone, but also style! Calligraphy according to this style and vertical and horizontal paper, is bound to kill paper in the air, autumn hawk chasing rabbit happy!

国礼珍品（苏绣）

书法质感源于碑骨之劲，这并不是陈岳先生的独特，而是历代书法大家的共性。书圣王羲之驾一叶偏舟，渡江北上，去寻找的就是碑学的风骨。他畅游于北中国的奇峰庙堂，观历代碑书而感叹：少时随卫夫人学书，拘于一家，不知碑学博远，徒废年月尔！于是开启了碑学涵养书法的奇卓路程。唐代欧阳询骑飞马而遇碑文，勒马观碑，被索靖的碑书所震撼，三日不离，卧于碑前不眠不食，可见碑学的魅力无穷。当代陈岳仍旧是碑学一路的正宗学人，所以他的书法是碑学文化的磨砺劲途，足迹遍历名山大川、名胜古迹，仰观摩崖碑林，以至胸襟大开，视野大展，取碑学之风骨，写千秋之精神，书法依精气神而夺目动心，传统书法的正大气象，重新被当代名家写就为文化的精彩，所以他的书法成为国内国际的立鼎标杆，拥有文化软实力的正宗品位！

他的书法不尽师法高古，同时也精琢当代名家。在师古求法，师今求变的进程中，却一直是书生修为低调的执着，书法功力深厚，正、草、隶、楷、行五体皆成，不事张扬，唯我德馨。书法就是游手于斯的天然与自然，淡泊名利，宁静方得致远，所以观赏他的行书或是草书创作，往往就是一笔卓劲，仗剑趋远的境界，有书生修文胆的豪侠质感，也有禅风诉韵的虚化淡雅，真正是刚柔相济，虚实顾应的哲学体验！

The quality of calligraphy originates from the strength of the stele, which is not the unique of Mr. Chen Yue, but the common character of all the calligraphers in the past dynasties. Wang Xizhi, the sage of calligraphy, drove a leaf by a boat and crossed the river to the north, looking for the spirit of Stele Study. He visited Qifeng temple in northern China and observed the ancient steles and sighed: when he was young, he studied with Mrs. Wei and was confined to one family. He didn't know that the steles were far-reaching, so he abandoned Yuer! Therefore, it opened a wonderful way to learn and cultivate calligraphy. In the Tang Dynasty, Ouyang Xun rode a horse and met the inscription. He was shocked by the inscription of suojing. He stayed in front of the tablet for three days and did not sleep or eat. It can be seen that the charm of stelology is endless. Contemporary Chen Yue is still an authentic scholar of stele learning, so his calligraphy is a vigorous way of stele learning culture. He traverses famous mountains and rivers, places of interest, looks up to the cliff stele forest, and even opens his mind and vision, takes the style of stele learning, and writes the spirit of the millennium. Calligraphy is eye-catching and moving according to the spirit and spirit. The orthodox atmosphere of traditional calligraphy has been written as culture by contemporary celebrities Wonderful, so his calligraphy has become the benchmark of domestic and international tripod, with authentic taste of cultural soft power!

His calligraphy is not only based on the ancient method, but also on the contemporary masters. In the process of learning from the past and changing from the present, it has always been the low-key dedication of the scholars. The calligraphy skill is profound. It is composed of five parts: upright, grass, Li, Kai and Xing. It's nothing to publicize, but I'm virtuous. Calligraphy is the nature and nature of a tourist. He is indifferent to fame and wealth, and can be quiet and far away. Therefore, to watch his running script or cursive writing is often a realm of great strength and long sword. It has the heroic quality of the scholar's writing style, and it also has the emptiness and elegance of Zen style and rhyme. It is really a philosophical experience of combining hardness with softness and caring for reality!

国礼珍品（苏绣）

博涉诸体修碑帖，笔墨心诀谙品格。这么一位功建卓越的书法大家，始终坚持不个展、不立传、不参赛、不参会的身修格调，把书法当成文化修养的平台去体验，绝不把书法当成博功掘利的手段去放纵，这样的书法家才是真正的书法家！德行高远，虽居山野亦得闻名。雅士风度，虽是大隐亦成榜样，所以中央电视台、中视网、华人频道、新华社、新华网这些主流机构，纷纷推介这位技修娴熟，德修崇高的书法家，让人们感念到书如其人儒雅气度！书法大家名扬八面的核心动力，无一例外，都是这般德艺双修的人格非凡！ （著名艺术评论家 杨振明）

It involves all kinds of body to build inscriptions and calligraphy heart rhyme to master character. Such a calligrapher who has made great contributions to the construction of calligraphy always adheres to the style of self-cultivation without individual exhibition, biography, participation or participation. He takes calligraphy as a platform for cultural cultivation to experience and never indulges in it as a means of making contributions and profits. Such a calligrapher is the real calligrapher! He is famous for his lofty virtue. Elegant demeanor, although it is a big hidden also become an example, so CCTV, CCTV, Chinese channel, Xinhua news agency, Xinhua network, these mainstream institutions, have introduced this skilled, virtuous and noble calligrapher, let people feel the book as elegant demeanor! Calligraphy everyone is famous for the core power of eight aspects, without exception, is such a moral and artistic double cultivation of extraordinary personality (Yang Zhenming, a famous art critic)

国礼珍品（国酒）

诸书皆成疾笔生风雨 翰墨扛鼎实力成英豪——记著名书法家陈岳

诸书皆成通常是对一位书法家的客套，但是诸书皆成对著名书法家陈岳来说，不是客套，一是身怀的极功，也是他执意的追求。在书法修炼的道路上，陈岳书法以师古为根，以创建为功，师唐楷之法度，二王之自由，探源金石两篆，临悟张旭怀素，成为汲取诸家之功，铸成一家之风的书法艺术大手笔，在书坛立功名，依扛鼎实力，彰显英豪气质。

观赏陈岳的书法，无论是行内之家，还是道外之人，对他的书法都会意会出一种非常美好的印象。他的书法因为技法极其娴熟，所以用笔疾快，落墨如生风雨，观其作品，似乎能听到风雨萧萧的自然之道，经常会有出人意料之外的笔势趋向，纵达而回环，从而引发观感的惊异奇质。

All the books become a disease, the writing becomes a storm, the calligraphy becomes a great power -- On Chen Yue, a famous calligrapher

All the books are usually polite to a calligrapher, but all the books are not polite to Chen Yue, a famous calligrapher. They are not only his great accomplishments, but also his persistent pursuit. On the way of calligraphy cultivation, Chen Yue's calligraphy is based on his learning from the ancient times, with the creation as his work, with the Dharma of Tang Kai, the freedom of the two kings, exploring the source of the two seal characters of gold and stone, and realizing the wisdom of Zhang Xu. He has become a great calligraphy art brush that draws on the work of various families and casts the style of a family. He has made great achievements in the field of calligraphy and demonstrated his heroic temperament according to the strength of the tripod.

When you watch Chen Yue's calligraphy, you will have a very good impression on his calligraphy, whether you are in a family or not. His calligraphy is extremely skillful in technique, so he can use the pen quickly, and the ink falls like wind and rain. When looking at his works, it seems that he can hear the natural way of wind and rain, and there is often an unexpected trend of brush posture, which reaches vertically and turns around, thus causing the surprise of the appearance.

建国70周年荣誉

书如其人，陈岳书法纵能达顶，落能触基，纵放气质非常明显，想必善用疾笔驱墨的陈岳是一位豪爽之人。豪爽必然喜极行书与草书，行草表达情感最为恣意饱满。他的草书极度自由，却信守法度，正宗气象，一目而及。修于章草，立为规矩。渐进今草，形态简便应速。继而奔达狂草创作，合以性情，形表心绪，笔墨里尽含大神采、美韵味，意境如苍龙腾云，气质如君子舞剑。

体会陈岳诸书皆成的终极功力，当然不能避开行草大成，挥行造光辉，天地添锦色。能用实力而成行草功力，追达二王，肩随怀素，善用书法表情达意，他的书法见解可谓简明深刻，笔墨里自然挥发出勇气和智慧，意向鲜明，主旨显成。

As a person, Chen Yue's calligraphy can reach the top and touch the base. His temperament is very obvious. He must be a forthright person who is good at using a quick pen to drive ink. Forthright is bound to be extremely fond of running script and cursive script, which express the emotion most wantonly and fully. His cursive script is extremely free, but he abides by the law, the authentic atmosphere, and at a glance. It's a rule to cultivate in Zhangcao. The shape of modern grass is simple and rapid. Then, he created the wild grass, combined with his temperament and mood. His writing and ink are full of great spirit and charm. His artistic conception is like a dragon flying in the clouds, and his temperament is like a gentleman dancing a sword.

Experience the ultimate power of Chen Yue's books. Of course, you can't avoid the great success of walking on grass, creating brilliance and adding color to the heaven and earth. He can make use of his strength to become the skill of running grass, to catch up with the second king, to follow huaisu on his shoulder, and to express his ideas with calligraphy. His calligraphy insights are concise and profound. His strokes naturally emit courage and wisdom, with distinct intention and obvious theme.

陈岳优秀作品

陈岳挥笔弄墨，体现着真正书法家的真技能真性情，他把书法技能化为无形心得，用笔写书法，也是用心动生墨，把万物形态和心绪七情融会贯通，寓于笔墨，用线条的灵动飘逸直接与思维意识对接碰撞，显现学识的深刻和敏悟的火光。他在师古的过程中，又不断用实实在在的创造力，为书法艺术的时代美感构建新的框架和内涵，成为引领书法新派新风的大家典范。

诸书皆成疾笔生风雨，翰墨扛鼎实力成英豪同。能在书法艺术之林取得扛鼎之力，与陈岳的书法定力和才力是分不开的。所谓定力，是当下书风浮躁，投机取巧者多，书风多变取奇趋俗。但是陈岳修炼书法，不受俗风拐带，执意师旧法，以旧法促新成，成为向书法高古意境着力最深的书家之一，此为定力。

Chen Yue's calligraphy skill embodies the real skill and temperament of a real calligrapher. He turns calligraphy skill into intangible experience. Writing calligraphy with a pen is also generating ink with his heart. He integrates all kinds of forms and feelings of mind into one, which is embodied in the ink. With the flexible and elegant lines, he directly collides with the thinking consciousness, showing the profound knowledge and the fire light of sensitivity. In the process of learning from the ancient times, he constantly used his real creativity to build a new framework and connotation for the aesthetic feeling of the calligraphy art in the era, and became a great model leading the new style of calligraphy.

All the books are full of wind and rain, and the strength of calligraphy is the same as that of heroes. It is inseparable from Chen Yue's calligraphy determination and talent to be able to achieve the power of carrying tripod in the forest of calligraphy art. The so-called fixed force is that the current book style is impetuous, there are many opportunists, and the book style is changeable and strange and popular. However, Chen Yue, who was not influenced by the custom, insisted on learning the old method and promoting the new one with the old method, and became one of the calligraphers who focused on the high ancient artistic conception of calligraphy.

陈岳优秀作品

所谓才力，他对碑帖有着天然能悟的艺术自然才华，属笔墨天才一派，嗜书法如命，凝神稍思可解帖学碑道，从甲骨到金石，真草隶篆收尽眼底，悉成心念，天才之功，让他的书法修炼能循法而成法外法，所以在高古笔质下，笔法总是纵横如舞变化万端的莫测，造奇显生动，依拙度机巧，字字险绝撼人，又平实而归，放纵与规矩并行，大势与精微成扣，古今往来，尽得师古而成新，大家之功，笔笔见实力！ （著名书画评论家 史振华 ）

The so-called talent, he has a natural understanding of the art of inscriptions and natural talent. He belongs to the group of pen and ink talents. He likes calligraphy as his life. He can study inscriptions and inscriptions with a little thought. From oracle bone to gold stone, he can see all the real grass, Li and Zhuan characters, and learn the skill of mind and genius. His calligraphy practice can follow the method and become the external method. Therefore, under the quality of Gao Gu's brush, the strokes are always unpredictable and unpredictable It's very vivid. It's ingenious according to its clumsiness. It's extremely dangerous. It's also plain and simple. It's indulgent and regular. It's powerful and subtle. It's ancient and modern. It's a new way to learn from the past. Everyone's skill and strength can be seen in writing (Shi Zhenhua, a famous critic of calligraphy and painting)

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